Netflix is experiencing mounting difficulties as the production of Prince Harry and Meghan Markle‘s polo documentary hits significant snags.
Originally set for a November premiere, the project now seems to be in dire need of a miracle to meet its deadline.
Reports from the Royal Rogue indicate that while the documentary is still in progress, the chaos surrounding production logistics has become overwhelming.
At the center of this turmoil is Harry, who is expected to be the linchpin holding everything together.
However, this responsibility requires him to travel extensively to interview polo stars across various countries.
Complicating matters further, Meghan is reluctant to let Harry embark on these journeys alone.
As a result, their joint travel plans have turned into a logistical nightmare, especially since they’ve decided not to take their children along.
Sure, they could bring the kids—after all, they’re still quite young—but Meghan’s penchant for complicating matters seems to be at play once again.
The documentary’s release now hinges on the intricate coordination among multiple production companies, many of which are already stretched thin with other projects, including those under their own Archwell Productions banner.
Speaking of Archwell, it’s been facing its own challenges, notably the suspension of their cooking show.
This backdrop has led Netflix CEO to express frustration, reportedly viewing the Sussexes’ deal as one of the worst investments in the company’s history.
In a bid to gauge public interest, Netflix might consider dropping a teaser using footage from the pilot episode.
The entertainment landscape is currently fraught with challenges, making it a particularly tough moment for Harry and Meghan to dive into production.
Unlike industry heavyweights such as Tyler Perry, who can manage tight budgets and take informed risks, the Sussexes lack the necessary influence and financial resources to navigate these waters effectively.
Moreover, their circle of allies has significantly diminished over the past few years, due to various circumstances.
One of the most controversial moves was accepting the Pat Tillman award, heavily influenced by Serena Williams, which seemed more about promoting a documentary than honoring the award itself.
This decision backfired, casting a shadow over Serena’s project, which appears to be more of a vanity project given her other commitments.
As Meghan’s birthday draws near, there’s speculation that new photos of their children might be released, a strategy often employed to grab headlines.
With Meghan’s network of connections shrinking, Harry’s ties through his “better-up” affiliations appear to be their only remaining support system.
The underlying issue seems to revolve around Meghan’s significant influence over Harry’s professional endeavors.
Interestingly, Harry seems to thrive more in his projects when he isn’t tethered to Meghan’s involvement—something that’s been noted several times.
Many observers suggest that for Harry to truly flourish, he may need to create some distance from Meghan’s sometimes overwhelming presence.
The polo documentary, which is aimed at a niche audience, risks being overshadowed by Meghan’s desire to be front and center.
This dynamic was evident during the Invictus Games, where Meghan’s presence often eclipsed the event itself.
Her tendency to make every project about her detracts from Harry’s attempts to establish his own identity in the industry.
Timing has consistently been a thorn in their side; each of their ventures seems to come with unfortunate timing, undermining their goals.
Take their current situation as a prime example.
Instead of allowing Harry to concentrate on the polo documentary, Meghan’s insistence on being involved has complicated production efforts.
