Last month, Sean “Diddy” Combs found himself in hot water after being arrested on serious charges related to s trafficking and racketeering.
Yet, this hasn’t deterred 50 Cent from continuing his long-standing feud with the music mogul.
In a recent article published on Monday, the G-Unit leader stood by his history of barbed comments directed at Diddy, suggesting that his past remarks were simply an extension of his opinions over the last decade.
50 Cent, known for his sharp tongue, explained that while it may seem like he’s gone too far, he’s merely expressing consistent views.
He stated, “It’s really me just saying what I’ve been saying for 10 years.” This is not the first time he has taken shots at Diddy; in fact, he has made it a point to highlight Diddy’s alleged knowledge regarding the murder of the iconic rapper Biggie Smalls.
In a recent track, 50 doesn’t hold back as he launches into a tirade against Diddy.
He even teases him by questioning, “Why do you want me to tell everyone what Misa Hilton, Diddy’s ex, told me?” It’s clear that 50 is relishing the opportunity to provoke Diddy, especially now that the latter is facing such serious allegations.
Adding fuel to the fire, 50 Cent is currently working on a documentary about Diddy for Netflix, which he announced earlier this spring.
According to reports from TMZ, there was a heated bidding war for this project, which is being produced by G-Unit Film and Television Studios.
The multi-part documentary will delve into the troubling allegations surrounding Diddy’s behavior over the years.
In a joint statement regarding the documentary, 50 Cent and his collaborator Stapleton emphasized the importance of telling a story that resonates with many.
They remarked, “This is a story that has a big effect on people,” highlighting the documentary’s aim to provide a nuanced view of a complex narrative that spans decades.
While the allegations against Diddy are undeniably serious, 50 Cent insists that they should not overshadow the broader narrative of hip-hop culture.
He pointed out that the story of Sean Combs is just one part of a much larger tapestry that defines the music genre and its community.
